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“It’s a big show,” Amorino said. “We have 35 in the cast, led by Megan Stetson as Hansel and Diane Squires as Gretel.” The production features members of the Contra Costa Children’s Chorus and the Next Step Dance Studio, and music director Alexander Katsman, who has led six previous Solo Opera productions, performs a piano reduction of Humperdinck’s enchanting score. “Hansel and Gretel” is a classic fairy tale adventure, with two children making their way through a magical forest to a gingerbread house, where they meet the glamorous witch who lives there. Peter Crompton’s designs give the opera a colorful storybook setting. Amorino, who notes that “Hansel and Gretel” was one of the first operas she saw as a child, says her staging is ideal for young audiences.

“This production was a dream for me last year, and book folding art pattern for ballet shoes once it came together, and I saw how wonderful it looked, I just really wanted more children to see it,” she said, “That’s always been my dream — to give kids in the community their first taste of opera with something like ‘Hansel and Gretel.’ We’re not cutting it at all, but we’re doing Acts I and II together in the first half, and Act III in the second half, Each half is about an hour — and we’ll have an intermission with cookies in between.”..

Amorino, who has partnered with the Food Bank of Contra Costa and Solano for the performances, is asking families to bring donations of nonperishable food items to the show. A soprano who teaches private voice classes, Amorino launched Solo Opera in 2000 with productions of Menotti’s “The Telephone” and “The Medium,” followed by the composer’s “Amahl and the Night Visitors.” She’s also directed Vaughan Williams’ “Riders to the Sea” and Mozart’s “The Impresario.” She clearly believes that opera companies have a responsibility to nurture the next generation of music lovers and has launched Solo Opera’s “Crescendo” program, which took a group of teens to San Francisco Opera’s production of “Sweeney Todd” earlier this season. “They loved it,” she said. “For some of them, it was their first time at the opera. They were just amazed.”.

In March at the Lesher Center, she’ll direct another kid-friendly work, Joann E, Seldman’s “The Computer Kid’s Magic Night.” But she says that Solo Opera is poised to explore other corners of the repertoire, “The Bay Area opera scene is changing — when we started, we were one of the only chamber opera companies around,” she book folding art pattern for ballet shoes said, “But I’m definitely interested in other kinds of works, new collaborations and opportunities, I’m keeping an open mind, and if a project appeals to me, we’re going to do it.” Details: “Hansel and Gretel,” 7:30 p.m, Dec, 18, 2 p.m, Dec, 19-20, Del Valle Theatre, 1963 Tice Valley Blvd., Walnut Creek; $25-$40; 925-943-7469, www.soloopera.org..

2Dudamel at the Greek: Cal Performances launched its fall season in September with a residency by conductor Gustavo Dudamel, who brought the Símon Bolivar Symphony Orchestra of Venezuela to the Greek Theatre for a performance of Beethoven’s Symphony No. 9, “Choral.” Joined by the San Francisco Girls Chorus, Pacific Boychoir, and Chamber Chorus of the University of California and Alumni, it was a glorious night of music under the stars. 3Christian Tetzlaff-San Francisco Symphony: There was chemistry to spare in October at Davies Symphony Hall, when German violinist Christian Tetzlaff, Finnish conductor Susanna Mälkki and the musicians of the San Francisco Symphony teamed up for an electrifying performance of Shostakovich’s Violin Concerto No. 1.

4Terry Riley Birthday Bash: Terry Riley turned 80 in June, and the inimitable Kronos Quartet hosted a top-notch roster of musical guests to celebrate the great minimalist composer’s life and works, In a three-day festival at SFJazz Center, audiences heard Riley revivals and premieres, short pieces and the epic “Salome Dances for Peace.”, 5″Lulu”: Kicking off its summer season at Oakland’s abandoned 16th Street train station, West Edge Opera presented a gripping production of Alban Berg’s dark expressionist masterpiece, featuring skilled music direction by Jonathan Khuner and a sensational performance by soprano Emma McNairy book folding art pattern for ballet shoes in the title role..

6″Jupiter” at Midsummer Mozart: No one conducted Mozart’s music with the affection and deep understanding of George Cleve. The founder and music director of the Midsummer Mozart Festival led an unforgettable performance of the composer’s “Jupiter” Symphony at Stanford’s Bing Hall in July. Sadly, Cleve passed away soon after — a major loss in Bay Area music. 7Schubert at Music@Menlo: Led by husband-and-wife team David Finckel and Wu Han, the annual chamber music festival turned its gaze to Schubert this year; as always with this summer event, the results were sublime. With string quartets, piano works and a generous helping of Schubert lieder in the lineup, audiences enjoyed a full immersion in the composer’s enduring genius.

8″Where Angels Fear to Tread”: Opera San Jose scored a hit with the world premiere of Mark Lanz Weiser’s well-crafted adaptation of E.M, Forster’s first novel, The February production at the California Theatre boasted a shapely orchestral performance conducted by Joseph Marcheso and beautiful singing by a strong ensemble cast, 9Baroque treasures at American Bach and Philharmonia Baroque: It’s book folding art pattern for ballet shoes hard to believe, but the Baroque era continues to yield new musical treasures, This year brought two revelations, In August, the American Bach Soloists unveiled a dazzling concert performance of “Sémélé” — not Handel’s opera but an earlier version of the same mythological tale by French composer Marin Marais, In October, the Philharmonia Baroque Orchestra treated Bay Area audiences to “La gloria di primavera” (The Glory of Spring), a gorgeous evening-length work by Scarlatti making its long overdue U.S, premiere..

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