Dance With Me - Handmade Ballet Shoes Made Of Recycled Paper, Paper Clay And Paper Mache As An Art Object Sculpture Gift For Her - Online

Hand made ballet shoes, by unique paper mache techniques with paper clay, transformeri into an art object - sculpture.Dimensions ste 32x10

“I’ve always thought it was important to integrate young children into the piece,” Lustig said. “For instance, children aren’t usually in the snow scene, but we have them playing these wonderful fluffy snowballs that are made out of layers of tulle, the same material used in a ballerina’s tutu. “I love using local singing groups like the Mt. Eden (High School) Women’s Ensemble. It all comes down to the local community, which we are very much a part of.”.

Part of the Oakland Ballet’s commitment to its local community includes extensive educational programs and in-school performances throughout the month of December to thousands of schoolchildren who might not otherwise have access to live performing arts, The Oakland Ballet also has VIP packages, which include a Land of the Sweets Tea Party from 1 to 4:30 p.m, Dec, 12 at the Bellevue Club, 525 Bellevue Ave., Oakland, and “Sweet Dreams” dance with me - handmade ballet shoes made of recycled paper, paper clay and paper mache as an art object sculpture gift for her parties for children at 2 p.m, Dec, 19-20 at the Paramount Theatre, 2025 Broadway, Oakland, as well as an evening champagne reception on Dec, 19..

Where their squeezebox sisters often riffed on pinup style imagery to counter the accordion’s reputation as unsexy, the Banjo Babes are more interested in showing off their chops than their curves. The third annual Banjo Babes tour brings an array of banjoists to Berkeley’s Freight & Salvage on Thursday and Don Quixote’s in Felton on Sunday, celebrating the release of the 2016 calendar and album. The brainchild of Kendl Winter and Evie Ladin, two of the bandleaders featured on these gigs, the Banjo Babes project is produced by Erin Inglish, who brings a tongue-in-cheek sensibility to the calendar.

“When I started it, there was always some sensitivity to how we’re presenting ourselves,” says Inglish, who performs with her Stringtown Ambassadors trio, “It’s all about the music, I take great care to pick artists, not on how well-known they are but on how well they play.”, Inglish conceived of the Banjo Babes as a dance with me - handmade ballet shoes made of recycled paper, paper clay and paper mache as an art object sculpture gift for her collective, and each show draws three or four acts from the ever-expanding roster, Ladin isn’t on the 2016 album, but she’s an anchor of the Bay Area banjo contingent that appeared on previous releases..

Her trio features body-music maestro Keith Terry on bass, cajón, metal implements, bells and vocals, and Erik Pearson on guitar, banjo and vocals. Though she’s steeped in Appalachian songs, Ladin writes much of her own music, or transforms traditional pieces with her inventive arrangements and instrumentation. “We mix music and dance in everything we do,” says Ladin, who runs the International Body Music Festival with Terry. “I grew up playing traditional old-time music. I teach and play it. But I have an unusual approach to old-time banjo.

“The new CD we’re working on is mostly originals,” she adds, “but we also do some mashups, like combining the old-time tune ‘Down the dance with me - handmade ballet shoes made of recycled paper, paper clay and paper mache as an art object sculpture gift for her Road’ with ‘Ease on Down the Road’ from ‘The Wiz.’ ”, The Banjo Babes’ quadruple bill also features the Littlest Birds, a duo based in Wyoming and featuring Sharon Martinson on banjo and David Huebner on cello, and the Small Glories, a folky Canadian duo with JD Edwards and Cara Luft (best known as a founding member of The Wailin’ Jennys)..

No one’s story better represents the banjo’s growing allure than Inglish, who grew up in the San Luis Obispo area listening to bluegrass. When she went off to study engineering at UC Berkeley, she brought a banjo with her and took lessons with East Bay banjo maestros Bill Evans and Avram Siegel. After graduating, she took a series of international jobs that involved green building and energy sustainability, and whether working in the slums of Mumbai or the capital of Madagascar, she always brought along her banjo.

When she returned to San Luis Obispo, Inglish continued to work in her field, “and the only reason I didn’t start music full time was because I loved my job,” she says, “Being on stage is not dissimilar from giving a workshop on energy efficiency, You can share a story and an idea, I write the occasional secular gospel song about biodiesel fuel.”, About four years ago, she decided to leave her job and focus on music, Before long, she realized that she was part of a larger movement, “not just of women playing banjo professionally, but women banjo players leading dance with me - handmade ballet shoes made of recycled paper, paper clay and paper mache as an art object sculpture gift for her bands.”..



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