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Gordon-Levitt refined his French accent by listening to Petit, learned about engaging his core and arm muscles to stay tight while walking and discovered why Petit would recline during a performance — theater, yes, but also because that pole gets heavy. “It became easy for me,” the actor says. “I could walk forward and backward on a wire that was 2 feet off the ground, no problem. But when the wire was moved up to 12 feet, no matter how much I told myself this is all fine, my body just seized up. As soon as you start thinking that you’re really high up, you start shaking. And then, you’re sunk.”.

Gordon-Levitt acknowledges that Petit’s feat has acquired a poignancy in the wake of Sept, 11, 2001, Several scenes in “The Walk” take place in a physically re-created World Trade Center lobby, Stepping onto that set, Gordon-Levitt says, affected everyone, “Of course, when any of us thinks of the World Trade Center, we think of the tragedy immediately,” panama. leather ballet flats / women shoes / leather flats / women flats / womens shoes. sizes 35-43. available in different lea he says, “That will always be where our minds go first, And I don’t think that’s a bad thing, It’s important to remember that tragedy, But with any tragedy, it’s also remembering the good times, the beautiful moments, the warm feelings you have toward whatever it is that you’ve lost.”..

For this year’s 50th anniversary tour — which marks a half century since the 1965 premiere of her radically stripped down dance “Tank Dive” in room 1604 of the Hunter College Art Department — Tharp wasn’t interested in looking back at past triumphs or revisiting unheralded experiments. “I really wanted to do something new,” says the choreographer by phone, after rehearsing the cadre of dancers she has recruited for the widely anticipated national tour, which touches down Oct. 16-18 at Berkeley’s Zellerbach Hall. (Tharp has stoked anticipation with a fascinating New York Times blog series.).

In “Yowzie,” Tharp revisits the rollicking, irreverent and playfully bawdy jazz of Jelly Roll Morton and Fats Waller, With panama. leather ballet flats / women shoes / leather flats / women flats / womens shoes. sizes 35-43. available in different lea “Preludes and Fugues,” she turns to J, S, Bach’s sublimely ordered staple, “The Well-Tempered Clavier.”, Tharp first made her mark creating dances without any musical accompaniment, but when she decided in the early 1970s that “we’ve earned music,” she felt “it would make sense to start not with Bach but with American music.”..

When searching for early expressions of authentically original American music, she found that in 1971, “recordings of Scott Joplin’s ragtime didn’t really exist yet. But I got hold of Jelly Roll Morton’s Red Hot Peppers recordings, and they have enormous musical sophistication. The music is so full of life and has a great sense of humor, and we built on that.”. Rather than going back to the original 1920s and ’30s recordings, Tharp set “Yowzie” to Morton and Waller compositions as interpreted by The Hot Nine, a recent project led by powerhouse New Orleans pianist Henry Butler and slide trumpeter Steven Bernstein. Both were part of the first great generation of improvisers to emerge from Berkeley High’s jazz program in the mid-1970s.

Tankersley, who graduated from Mountain View High in 2010, finds both of her new dances quite challenging in entirely different ways, Where “Preludes and Fugues” is “very panama. leather ballet flats / women shoes / leather flats / women flats / womens shoes. sizes 35-43. available in different lea demanding in a technical sense, the second piece is very character driven,” he says, “The movement is almost secondary, The story and character are almost more important.”, Berkeley-raised dancer Ramona Kelley agrees that “Yowzie” and “Preludes and Fugues” demand very different skill sets, The daughter of highly regarded dance teacher Wendy Diamond and a regular with Oakland Ballet, Kelley entered Tharp’s orbit in a touring production of “Come Fly Away,” her Broadway dance revue based on the music of Frank Sinatra..

“Preludes and Fugues” is “more classical, the world as it should be. And ‘Yowzie’ is the world as it is,” Kelley says, which makes it more of a challenge. “We talk a lot about how it’s much harder to play the comic side than the serious side. Twyla says that laughing and having fun and being silly — the body enjoying itself — that’s not as common in our culture, and it’s not our training as dancers. She says we’re dancers and an acting troupe as well.”.

“I have often looked at opposed visions of the world, and you could say these dances represent the sacred and vernacular,” Tharp says, “You can’t not deal with the world as it ought to be, Finding that kind of righteous order is a special challenge, It’s always been one of the privileges and challenges of my work to cover as many bases, structures, and purposes as I can, Ultimately, these are two ends of the spectrum, that’s who we are.”, In addition to the performances, Tharp’s Berkeley visit includes a talk, followed by a signing of her latest book, 2013’s “The Collaborative Habit: Life Lessons for Working Together” (3 p.m, Oct, 17, at Berkeley’s Wheeler Auditorium), and a community dance class led by an artist from Tharp’s company, teaching choreographic phrases from the current works (11 a.m, Oct, 17 at Bancroft Studio), Advance registration panama. leather ballet flats / women shoes / leather flats / women flats / womens shoes. sizes 35-43. available in different lea at the Cal Performances website, calperformances.org, is highly recommended for each..



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